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It is a widely held belief among many that jointly caring for a pet post-separation is ill-advised. Most will argue such arrangements prevent ex-partners from healing, create logistical nightmares, spark arguments, and become annoying for all parties. Apparently, as a development suited to a streaming movie, it reportedly leads to the canine in question to feel down.

Not to downplay the mental health of animals – pet parents speak of their profound sensitivity. To witness a standout portrayal in canine melancholy, one need only look recent cinema. It seems certain that a dog of Merv's nature, a spirited little dog brought to life by a talented dog named Gus, would find it difficult coping with life in two homes. If this concept an entire Christmas romance on this conflict holds water is a questionable prospect.

Predictable Foundations

Honestly, Merv, written by the writing duo and directed by director Swale, doesn't pretend to be deeper than its premise. This is a Christmas movie from a major tech-and-media conglomerate – the ambitions remains surface-level. Its storyline unfolds as straightforward: former spouses Russ (Charlie Cox) and Anna, portrayed by Zooey Deschanel, confronting that their post-breakup gloom is rivaled only by their dog's, embark on a therapeutic trip to a dog-friendly resort. Once there, as expected, they will presumably stumble toward the idea that they are better together. The supporting cast – featuring a group of comedic actors – fulfill roles the usual assortment of types. Visually carries the feel of a streaming service original, with a Christmas setting that is visibly contrived – exemplified by flurries piled on verdant foliage as North Carolina substitutes for the Northeast.

The Dog's Domain

If these predictable parts come together into something enjoyable hinges on the execution and an acceptance of easy entertainment. On the latter point, Merv knows its audience – individuals who browse regularly for dog videos. Audiences receive a wealth of canine-centric sequences. The main attraction is Merv himself, and though it results in some stilted moments between the pet's "lines" and human reaction, the movie delivers on canine party antics, canine sorrow, and, ultimately, doggie joy.

The Human Element

This level of success cannot be applied for the romantic plot. The tone wavers between relationship drama, zany antics, predictable love story, and silly gags, not quite landing a consistent feel. This is not Charlie Cox, who is admirably committed the humiliating and funny required by the unusual premise. He brings a endearing lack of ego that offers the bulk of the chemistry for this ostensibly perfect couple. Zooey Deschanel, true to her usual style, imparts a distinctive offbeat energy that will be to your taste or not. The character can feel a bit too dry, notably when contrasted against Cox's heartfelt sincerity. (For what it's worth, Gus the Dog succeeds in flopping and whining – he may not be Messi from that acclaimed drama, he's definitely an excellent dog.)

The story strives to give weight to the couple's history for moments when the dog is absent – a regrettable choice, considering Merv is by far the best part of this feel-good picture. As one might predict, it meets the bare minimum. The reason for their separation would feel more nuanced with less exposition and more subtle storytelling. In the end, Merv is gentle and pleasant, meeting precisely what you anticipate. Crafting a story with this canine conflict has potential – even if I wouldn't call it a brilliant concept.

• Merv becomes available on Prime Video starting December 10.